Showing posts with label Masterpiece Theatre. Show all posts
Showing posts with label Masterpiece Theatre. Show all posts
Monday, December 30, 2024
Hardacre by C.L. Skelton, a Yorkshire family saga
In late 19th century Yorkshire, Sam Hardacre guts herrings for a living, earning pennies to support his wife, Mary, and two young sons. It is a hard life, following the herring fleet, and although he is not afraid of hard work, he worries what will happen to his family if he is incapacitated. 
Saturday, November 14, 2015
Indian Summers – Season 1, Episode 7 – Recap
The Indian children from the orphanage/school, out for an innocent swim, find the body of Adam’s mother, Jaya, floating in the lake. When Dougie is summoned to say a prayer over the corpse, he recognizes her. He tells the police he saw her talking to Ralph recently. However, when Ralph is asked to identify the body he tells the official he's not sure who she is; alone with the body he breaks down. Is it because he regrets the need to have killed her or did he really once care for her? Or perhaps both? Who really killed her? The coroner says there are two sets of wounds: stab wounds that caused her death and one from years before.
I thought Eugene had gone back to Chicago but he is acting with Cynthia in The Importance of Being Earnest, directed by Ronnie Keane, who has the kind of civil service job where he can disappear to direct a play and no one notices. Of course, even the Viceroy in the cast but I think Ralph does all his work anyway. Alice, Madeleine, and Sarah also have parts because Sarah insisted. Madeleine asks Alice why she doesn’t say no to Sarah. I am surprised that Alice doesn’t confide in Madeleine about the blackmail.
I thought Eugene had gone back to Chicago but he is acting with Cynthia in The Importance of Being Earnest, directed by Ronnie Keane, who has the kind of civil service job where he can disappear to direct a play and no one notices. Of course, even the Viceroy in the cast but I think Ralph does all his work anyway. Alice, Madeleine, and Sarah also have parts because Sarah insisted. Madeleine asks Alice why she doesn’t say no to Sarah. I am surprised that Alice doesn’t confide in Madeleine about the blackmail.
Wednesday, October 28, 2015
Indian Summers – Season 1, Episode 5 – Recap
The Viceroy is hosting a very elegant party at his residence to celebrate Ralph’s and Madeleine’s engagement – Alice says everyone has been invited, and this includes both blackmailing Sarah and the beautiful Indian teacher, Leena. “Prepare to eat cake!” is the theme of the party.
Ralph is negotiating with Dr. Kamble, an Untouchable (at the bottom of the caste system), to prevent the Untouchables from making a deal with the Indian Congress, which would go against British interests. Dr. Kamble is not impressed by his arguments and asks when Ralph’s family first came to India. Ralph is proud his family has been in the Indian Civil Service since 1824 but Dr. Kamble opines that his family had a hundred years to help his people, had they so chosen.
Weird little boy Adam and his equally strange mother have reunited. She tells him to wait for her and they’ll find his father (could it be Ralph?). Adam is scared of his mother but does not fit into the orphanage. The rest of the orphans are enjoying the story of Cinderella and want Leena to go to the ball, but she says she only has a hand me down dress. The orphans make her an outfit that looks beautiful but Leena wears the hand me down silver dress instead, which does nothing for her. Not that it matters; the missionary is still in love with her and with a wife like Sarah, who can blame him?
Alice tells Aafrin that she knows he stole the evidence linking the assassin to the Indian nationalists and accuses him of asking her to betray her own brother. Aafrin asks worriedly if she will tell but she’s not sure. This prevarication usually winds up with someone getting murdered but I think Alice is safe because she is the only character I like. Or does that mean she is more likely to be eliminated?
Sarah made one of her first blackmail demands of Alice – she wants to sit near the Viceroy at the engagement party dinner. However, the man in charge of protocol is immune to Alice’s coaxing and says as the wife of a missionary Sarah is stuck next to a man who works in sewage (at least, in an office job; not cleaning or shoveling it – that would indeed be insulting).
Ralph is regretting his engagement and asks Alice what she really thinks of Madeleine, complaining that Alice avoids her. Alice says Madeleine has been very kind to her and tries to explain she is just giving the couple privacy. “Oh, you’re jealous!” Ralph exclaims, because he finds that easier to understand, and from the way he is fawning over Alice we know he’d be very jealous of her spouse. Lucky spouse is far away, we think, albeit not dead.
“I don’t know if I’m in love or following orders!” Ralph complains. This could refer either to his engagement or the absurd costume he is wearing. I think the engagement is doomed. I hope for her sake Madeleine isn’t pregnant!
There is a first mention that Ralph may be spending more than he can afford although I guess it was implied when Alice commented on the gorgeous house in Episode 1. It would be nice if Madeleine really is an heiress but I suspect she and her brother are frauds.
When Sarah finds her name tag down at the uncool end of the dinner table she is furious and tells Alice it would be a pity if people found out her husband was alive (Alice was an idiot to say she was a widow). As a result, Alice switches their name tags, which doesn’t go over well with Protocol Guy, although Alice is perfectly happy sitting next to the Sarah’s morose husband, Dougie. When Alice notices that the servants are deliberately ignoring Dr. Kamble, she makes them serve him but the poor man is given something offensive – which must have been pig. Sarah does get to dance with the Viceroy which is more than she deserves. I doubt she will be grateful.
Madeleine and Ralph are dressed as Marie Antoinette and Louis XVI (hence the cake theme – bizarrely appropriate for the last days of the Raj although surely that wasn’t Madeleine’s intention) which is strange because it’s not a costume party and no one else is dressed up; plus it makes Ralph look extremely sinister, kind of like John Malkovich in Dangerous Liaisons. Cynthia is watching them dance and taking pleasure in the engagement because she helped engineer it until Eugene reveals there is no fortune! Cynthia is stunned by this news and can’t decide what to do. And if Eugene thinks Ralph is too much the gentleman to break the engagement, he is quite wrong.
However, Ralph doesn’t know the bad news yet and is in good spirits because the Maharajah at the party was gracious to Dr. Kamble, which Ralph and the Viceroy had not anticipated. It turns out that the Maharajah outlawed Untouchables in his admittedly small region. Aafrin has been put in charge of Dr. Kamble and tells him that Ralph is trustworthy (which is clearly not true) smoothing the way for Ralph to make another attempt to win Dr. Kamble over for his political purpose. Don’t Ralph and his cronies know the British will have to leave India? Are they just trying to feather their nests before they leave?
Then Ralph takes Madeleine for a turn in the garden just as Adam and his mother appear. They seem bent on accosting Ralph, so I guess he really is Adam’s father (we can tell from the mixed race children at the orphanage that half-Indian, half-English children are not unusual but they are kept out of sight so I suppose this might destroy Ralph’s career). Ralph seems to recognize Adam’s mother and tells one of the servants to get rid of her. Alice and Aafrin are watching, out of sight, and Alice impulsively kisses Aafrin passionately. He responds (I could tell he was getting tired of girlfriend Sita when she kept chattering to him earlier but maybe it was also because she never delivered the warning note. Although Aafrin doesn’t know it yet, the police found the forged document in his family’s home) but although this embrace was predictable, it is not very convincing. Aafrin is not a very appealing character (although intended to be) and was very petulant throughout this episode. Combined with the fact that he asked Alice to betray her brother by concealing his theft of the evidence relating to the assassin, she should steer clear of him. Does Alice not realize that if Ralph turns her out, she will have no choice but to go back to England to the dreadful husband?
Ralph is negotiating with Dr. Kamble, an Untouchable (at the bottom of the caste system), to prevent the Untouchables from making a deal with the Indian Congress, which would go against British interests. Dr. Kamble is not impressed by his arguments and asks when Ralph’s family first came to India. Ralph is proud his family has been in the Indian Civil Service since 1824 but Dr. Kamble opines that his family had a hundred years to help his people, had they so chosen.
Weird little boy Adam and his equally strange mother have reunited. She tells him to wait for her and they’ll find his father (could it be Ralph?). Adam is scared of his mother but does not fit into the orphanage. The rest of the orphans are enjoying the story of Cinderella and want Leena to go to the ball, but she says she only has a hand me down dress. The orphans make her an outfit that looks beautiful but Leena wears the hand me down silver dress instead, which does nothing for her. Not that it matters; the missionary is still in love with her and with a wife like Sarah, who can blame him?
Alice tells Aafrin that she knows he stole the evidence linking the assassin to the Indian nationalists and accuses him of asking her to betray her own brother. Aafrin asks worriedly if she will tell but she’s not sure. This prevarication usually winds up with someone getting murdered but I think Alice is safe because she is the only character I like. Or does that mean she is more likely to be eliminated?
Sarah made one of her first blackmail demands of Alice – she wants to sit near the Viceroy at the engagement party dinner. However, the man in charge of protocol is immune to Alice’s coaxing and says as the wife of a missionary Sarah is stuck next to a man who works in sewage (at least, in an office job; not cleaning or shoveling it – that would indeed be insulting).
Ralph is regretting his engagement and asks Alice what she really thinks of Madeleine, complaining that Alice avoids her. Alice says Madeleine has been very kind to her and tries to explain she is just giving the couple privacy. “Oh, you’re jealous!” Ralph exclaims, because he finds that easier to understand, and from the way he is fawning over Alice we know he’d be very jealous of her spouse. Lucky spouse is far away, we think, albeit not dead.
“I don’t know if I’m in love or following orders!” Ralph complains. This could refer either to his engagement or the absurd costume he is wearing. I think the engagement is doomed. I hope for her sake Madeleine isn’t pregnant!
There is a first mention that Ralph may be spending more than he can afford although I guess it was implied when Alice commented on the gorgeous house in Episode 1. It would be nice if Madeleine really is an heiress but I suspect she and her brother are frauds.
When Sarah finds her name tag down at the uncool end of the dinner table she is furious and tells Alice it would be a pity if people found out her husband was alive (Alice was an idiot to say she was a widow). As a result, Alice switches their name tags, which doesn’t go over well with Protocol Guy, although Alice is perfectly happy sitting next to the Sarah’s morose husband, Dougie. When Alice notices that the servants are deliberately ignoring Dr. Kamble, she makes them serve him but the poor man is given something offensive – which must have been pig. Sarah does get to dance with the Viceroy which is more than she deserves. I doubt she will be grateful.
However, Ralph doesn’t know the bad news yet and is in good spirits because the Maharajah at the party was gracious to Dr. Kamble, which Ralph and the Viceroy had not anticipated. It turns out that the Maharajah outlawed Untouchables in his admittedly small region. Aafrin has been put in charge of Dr. Kamble and tells him that Ralph is trustworthy (which is clearly not true) smoothing the way for Ralph to make another attempt to win Dr. Kamble over for his political purpose. Don’t Ralph and his cronies know the British will have to leave India? Are they just trying to feather their nests before they leave?
Then Ralph takes Madeleine for a turn in the garden just as Adam and his mother appear. They seem bent on accosting Ralph, so I guess he really is Adam’s father (we can tell from the mixed race children at the orphanage that half-Indian, half-English children are not unusual but they are kept out of sight so I suppose this might destroy Ralph’s career). Ralph seems to recognize Adam’s mother and tells one of the servants to get rid of her. Alice and Aafrin are watching, out of sight, and Alice impulsively kisses Aafrin passionately. He responds (I could tell he was getting tired of girlfriend Sita when she kept chattering to him earlier but maybe it was also because she never delivered the warning note. Although Aafrin doesn’t know it yet, the police found the forged document in his family’s home) but although this embrace was predictable, it is not very convincing. Aafrin is not a very appealing character (although intended to be) and was very petulant throughout this episode. Combined with the fact that he asked Alice to betray her brother by concealing his theft of the evidence relating to the assassin, she should steer clear of him. Does Alice not realize that if Ralph turns her out, she will have no choice but to go back to England to the dreadful husband?
Tuesday, December 23, 2014
Elizabeth is Missing (Book Review)
Genre: Contemporary fiction, set in England
Plot: Maud is an elderly woman losing her memory, devoted to her friend Elizabeth. Although confused by much of her daily life, she knows she hasn’t seen Elizabeth lately. Convinced Elizabeth is missing, Maud is determined to find her.
Tuesday, December 15, 2009
Cranford by Elizabeth Gaskell
Several years ago my friend Eileen Kendall, esteemed founder and patroness of the Georgette Heyer Discussion Group, recommended a new miniseries of North and South, based on Elizabeth Gaskell’s novel, which she said was nearly as good as the Firth/Ehle Pride and Prejudice. Although I am fairly well read in 19th century literature, I had somehow never read Gaskell and knew little about her. Handicapped by being in the middle of law school and prescribed by an upbringing that prohibits multimedia prior to one’s having read the book, I mentally put Gaskell aside for several years. Last winter my book group read North and South, which I greatly enjoyed, so when I learned about the Classics Circuit of Gaskell, I was excited to participate and chose Cranford so that I would finally be able to watch the PBS episodes languishing for many months on my DVR.# I read the Oxford University Press edition, because I had liked the introduction in North and South.
Cranford is the story of a quiet English town around 1850, which consists primarily of worthy older ladies living in genteel poverty. As in many comedies of manners, their primary occupation is discussing each other. Cranford itself is viewed through the eyes of Mary Smith, a modest young lady who pays frequent visits to the Misses Jenkyns and who is not even identified by name until late in the book (leading me initially to wonder if Daphne du Maurier’s heroine in Rebecca was not the first nameless protagonist).
At first, I did not see the charm in Cranford, just the bleak existence of its primarily female inhabitants, and I wondered why Mary kept coming to visit the elderly Jenkyns sisters, stern Miss Deborah Jenkyns and her younger and more frivolous sister, Miss Matty.* However, as I continued to read and grow familiar with the cast of characters, I began to appreciate the idiosyncrasies of the Cranford ladies as they balance the demands of their society and its gentle entertainments with their limited financial resources - and ultimately reveal true friendship and loyalty beneath the tittle-tattle. As Mary’s father points out, “See, Mary, how a good innocent life makes friends all round.” While it does not possess the vivid characters and memorable romance of North and South, Cranford also provides unexpected humor to offset the pathos: my favorite is when Miss Matty’s maid, Martha, proposes to her gentleman follower, Jem, who is stunned and says, “[M]arriage nails a man, as one may say. I dare say I shan’t mind it after it’s over.”
Of particular interest to me was that, as with many books of this era, including many I have enjoyed in their Masterpiece Theatre incarnations, Cranford was written as a serialization. Gaskell’s first novel, Mary Barton, had brought her to the attention of Charles Dickens, who encouraged her to become a contributor to his periodical, Household Words. I enjoy imagining subscribers eagerly awaiting the next installment.
* Contemplating the economies of the Jenkyns household, which included a pretense that candles were not necessary, I began to worry again about the demise of my 401K although reading literature is supposed to provide an escape from such concerns!
Cranford is the story of a quiet English town around 1850, which consists primarily of worthy older ladies living in genteel poverty. As in many comedies of manners, their primary occupation is discussing each other. Cranford itself is viewed through the eyes of Mary Smith, a modest young lady who pays frequent visits to the Misses Jenkyns and who is not even identified by name until late in the book (leading me initially to wonder if Daphne du Maurier’s heroine in Rebecca was not the first nameless protagonist).At first, I did not see the charm in Cranford, just the bleak existence of its primarily female inhabitants, and I wondered why Mary kept coming to visit the elderly Jenkyns sisters, stern Miss Deborah Jenkyns and her younger and more frivolous sister, Miss Matty.* However, as I continued to read and grow familiar with the cast of characters, I began to appreciate the idiosyncrasies of the Cranford ladies as they balance the demands of their society and its gentle entertainments with their limited financial resources - and ultimately reveal true friendship and loyalty beneath the tittle-tattle. As Mary’s father points out, “See, Mary, how a good innocent life makes friends all round.” While it does not possess the vivid characters and memorable romance of North and South, Cranford also provides unexpected humor to offset the pathos: my favorite is when Miss Matty’s maid, Martha, proposes to her gentleman follower, Jem, who is stunned and says, “[M]arriage nails a man, as one may say. I dare say I shan’t mind it after it’s over.”
Of particular interest to me was that, as with many books of this era, including many I have enjoyed in their Masterpiece Theatre incarnations, Cranford was written as a serialization. Gaskell’s first novel, Mary Barton, had brought her to the attention of Charles Dickens, who encouraged her to become a contributor to his periodical, Household Words. I enjoy imagining subscribers eagerly awaiting the next installment.
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# In fact, this is very timely as PBS will air more Cranford episodes later this month.
* Contemplating the economies of the Jenkyns household, which included a pretense that candles were not necessary, I began to worry again about the demise of my 401K although reading literature is supposed to provide an escape from such concerns!
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