Showing posts with label Anya Seton. Show all posts
Showing posts with label Anya Seton. Show all posts
Tuesday, June 14, 2022
Day 6 – Stonehenge and Winchester
Saturday was a USM-sponsored expedition that we signed up for and paid in advance and all ten of my group dragged ourselves out of bed for a 6:30 am departure. Some of us were a bit grumpy that the bus didn’t come until after 7:15 and it then took several hours to get there. I sat with Channin on the bus and learned about her work with middle schoolers. When we got to Stonehenge, it wasn’t even open yet (the concept of standing stones being “open” seems odd but it’s an English Heritage site with guards and surge pricing for tickets).
Saturday, August 15, 2020
Bookshelf Traveling - August 15
Time for another round of Bookshelf Traveling in Insane Times which is being hosted by Judith at Reader in the Wilderness. The idea is to share one of your neglected bookshelves or perhaps a new pile of books.
Sunday, October 27, 2019
Avalon by Anya Seton
Title: Avalon
Author: Anya Seton
Publication: Houghton Mifflin, hardcover, 1965
Genre: Historical Fiction
Avalon is the eighth of twelve books that are part of my 2019 TBR Challenge, inspired by Adam at Roof Beam Reader, to prioritize some of my unread piles. It is one of Seton’s lesser-known titles and I have owned it for years without getting around to reading it.
Plot: When Rumon, a young man of noble birth, descended from Charlemagne, leaves his home in Provence to seek the source of his visions, his goal is Avalon, the legendary island featured in Arthurian legend. Instead, he is shipwrecked in Cornwall, where he meets a girl called Merewyn, whose father was killed by Vikings before she was born. Promising her dying mother he will deliver Merewyn to an aunt, an abbess at a convent, they set off to the court of King Edgar. The politics of court and of the church, anchored by Dunstan, the Archbishop of Canterbury, provide the counterpoint to the odd friendship that connects Rumon and Merewyn. Both young people are dazzled by Edgar’s queen, Alfrida, which prevents Rumon from recognizing Merewyn’s devotion as she becomes a young woman capable of great love. Because he alone knows the secret of her birth, he considers her unworthy. However, once Rumon realizes that he cares for her, he pursues Merewyn, making a perilous journey across the Atlantic to Iceland, believing he needs to rescue her.
My Impressions: This is another compelling historical novel by the talented Anya Seton and, as with Dragonwyck and My Theodosia, it provides a vivid picture of a little known period, including some real characters, such as St. Dunstan, Leif Erikson, and Ethelred the Unready. Seton has an uncanny
ability to bring history to life, although there are fewer appealing characters and what seems like more violence than in Katherine, one of my (and many others') all-time favorites. Still, it is a great read for historical fiction fans and I could not put it down. As usual, Seton’s sweeping narrative carries the reader along, even when the main protagonist is considered a wimp by reader and Vikings alike:
Off the Blog: This review is a break from a weekend creating what my History of Children’s Literature professor calls a LibGuide. I chose children’s fantasy literature as my topic and will add a link once complete.
Source: Personal copy
Author: Anya Seton
Publication: Houghton Mifflin, hardcover, 1965
Genre: Historical Fiction
Avalon is the eighth of twelve books that are part of my 2019 TBR Challenge, inspired by Adam at Roof Beam Reader, to prioritize some of my unread piles. It is one of Seton’s lesser-known titles and I have owned it for years without getting around to reading it.
Plot: When Rumon, a young man of noble birth, descended from Charlemagne, leaves his home in Provence to seek the source of his visions, his goal is Avalon, the legendary island featured in Arthurian legend. Instead, he is shipwrecked in Cornwall, where he meets a girl called Merewyn, whose father was killed by Vikings before she was born. Promising her dying mother he will deliver Merewyn to an aunt, an abbess at a convent, they set off to the court of King Edgar. The politics of court and of the church, anchored by Dunstan, the Archbishop of Canterbury, provide the counterpoint to the odd friendship that connects Rumon and Merewyn. Both young people are dazzled by Edgar’s queen, Alfrida, which prevents Rumon from recognizing Merewyn’s devotion as she becomes a young woman capable of great love. Because he alone knows the secret of her birth, he considers her unworthy. However, once Rumon realizes that he cares for her, he pursues Merewyn, making a perilous journey across the Atlantic to Iceland, believing he needs to rescue her.
My Impressions: This is another compelling historical novel by the talented Anya Seton and, as with Dragonwyck and My Theodosia, it provides a vivid picture of a little known period, including some real characters, such as St. Dunstan, Leif Erikson, and Ethelred the Unready. Seton has an uncanny
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Merewyn would likely freeze in this outfit |
“And I think that Rumon will always be wanting what he cannot find, and that if he finds what he thought he wanted he will be disappointed. As he is now.” She tried to smile but tears came into her eyes...Does a real hero always know what he wants? Merewyn’s observation is accompanied by the Vikings’ contempt for someone who won’t fight and who “sounded abject” when he spoke to a mere woman. Rumon is a "Searcher" of visions but is not capable of seeing beyond his own nose. Still, I give Rumon credit for a three-year quest to find Merewyn, although his overweening pride prevented him from appreciating her when she was close at hand.
Off the Blog: This review is a break from a weekend creating what my History of Children’s Literature professor calls a LibGuide. I chose children’s fantasy literature as my topic and will add a link once complete.
Source: Personal copy
Sunday, January 13, 2019
The 2019 TBR Challenge
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When I read about Roof Beam Reader’s 2019 TBR Pile Challenge, where the goal is to read at least 12 books that have been on my “to be read” list for at least a year (thus published before 2018), I decided to join in:
2019 TBR Pile Challenge
2.
Niccolo Rising by Dorothy Dunnett (1986)
8.
Sisters of Fortune by Jehane Wake (2010)
Alternates
13. If
You Go Away by Adele Parks (2015)
14. The
Gates of Bannerdale by Geoffrey Trease (1956)
Girl Reading borrowed from this site: https://tinyurl.com/ycxv52lq
Tuesday, October 16, 2018
Dragonwyck by Anya Seton (Book Review) #1944Club
The 1944 Club is a theme in which two prolific bloggers, Simon from Stuck in a Book and Karen from Kaggsy's Bookish Ramblings, promote a specific year of published books. Anyone can join in by reading and reviewing a book published in 1944 and adding a link to that book's review in the comments on Simon's blog. 1968, 1951 and 1977 have also been promoted.
Title: Dragonwyck
Author: Anya Seton, author of Katherine and My Theodosia
Publication: Houghton Mifflin, 1944
Genre: Historical Fiction
Setting: 19th century Connecticut and New York
Plot: Miranda Wells is the delicately lovely daughter of a no-nonsense Connecticut farmer, more likely to be caught reading a book than doing her chores, when her mother receives a letter from a rich cousin. Nicholas Van Ryn, master of a breathtaking estate in the Hudson Valley, Dragonwyck, invites Mrs. Wells to send a daughter to be his daughter’s governess. Abigail Wells has a hard life and wants better for her daughter, so she and Miranda use all their ingenuity to persuade dour Ephraim to let his daughter go (and he nearly changes his mind when they reach New York City and he sees what he considers the useless excess of their hotel, Astor House; he rightly thinks an extravagant lifestyle will go to Miranda’s head).
From the moment Miranda lays eyes on her kinsman, Nicholas Van Ryn, she is captivated by his Tall Dark Stranger looks and charismatic demeanor. She is swept away up the Hudson to Dragonwyck, and awestruck when she first beholds it – a gothic and foreboding mansion that hides dark secrets. Nicholas’ wife is an unhappy woman interested only in sweets (not that there’s anything wrong with that, unless you devour the wrong cake), who immediately resents Miranda, and little Katrine is a stolid child, happier in the kitchen than in the classroom. Nicholas is both a kind benefactor, providing Miranda a beautiful new wardrobe, and a capricious host, ignoring the fact that his wife and guests consider her nothing but a servant. Miranda is so bedazzled by her cousin that she makes excuses for his dark moods, the harsh way he treats his tenant farmers, and his impatience with his family. Everything she observes is colored by the deep attraction she feels for Nicholas, but this is a dangerous yearning that could lead to disaster . . .
Audience: Fans of historical fiction, gothic enthusiasts; those interested in the history of New York State. Seton grew up in New York and Connecticut, and loved history. My Theodosia, which I recently reviewed, is about Aaron Burr’s daughter, known now to millions.
My Impressions: Anya Seton’s Katherine is one of my all-time favorite books, a magical story, widely considered an outstanding example of historical fiction, and I thank Sister Sessions, the shrewd librarian who led me to it in 7th or 8th grade. Surprisingly, I had never read this one, Seton’s second novel, which is very different, although both are about innocent young women, initially out of their depths, who develop into strong, determined women. Miranda is intimidated by the dark halls of Dragonwyck and her awkward situation, disliked by her hostess and completely in the power of her manipulative host, who can move her to euphoria or misery with a few words. From the minute they meet, the reader experiences the same roller coaster sense of imminent doom as the heroine, although she tries to ignore it.
Dragonwyck is a compelling read, although too over the top to be considered a great novel like Katherine. On the other hand, I read until 3 am, unable to predict where Seton was taking her narrative, and finished it as soon as I got home from work the next night. From the obese, sullen wife and the outspoken doctor to the Irish maid who becomes Miranda’s only friend, Seton creates memorable characters, but most of all lurking in the background is the immense and unnerving Dragonwyck, a character itself, designed by its obsessive owner. And I did not mention the plain spoken doctor from Hudson, the closest town to Dragonwyck, whose sturdiness and integrity is a sharp contrast to the dangerous charm of Nicholas Van Ryn. Even though we know Nicholas is a bad guy and Jeff Turner is good, Nicholas is far more fascinating! The reader feels his sensuous appeal along with Miranda.
Part of my fascination with this book is that my grandmother grew up near the imaginary Dragonwyck in Newburgh, New York (where one of the Van Rensselaers mentions a soiree) and I was fascinated by the painstaking historic detail. As always, Seton’s research was exhaustive, and her portrayal of 19th century New York, both the social scene in Manhattan and life on a remote, affluent estate in upstate New York, is vivid and convincing (and does not make me crave to be part of The 400 – although I would choose the most excruciating party over the chicken Miranda is expected to kill and pluck in the first chapter). And the depiction of steamboats racing on the Hudson is enough to give a gentle reader nightmares!
Movie: Friends tell me the movie of Dragonwyck, billed to audiences as in the tradition of Rebecca, starring Gene Tierney, Walter Huston, Vincent Price, and Jessica Tandy, is well worth seeing but my old author Leonard Maltin only gives it 2 ½ stars. I must ask movie maven Laura her opinion. She will doubtless appreciate the pageantry of the production.
Source: Library
Title: Dragonwyck
Author: Anya Seton, author of Katherine and My Theodosia
Publication: Houghton Mifflin, 1944
Genre: Historical Fiction
Setting: 19th century Connecticut and New York
Plot: Miranda Wells is the delicately lovely daughter of a no-nonsense Connecticut farmer, more likely to be caught reading a book than doing her chores, when her mother receives a letter from a rich cousin. Nicholas Van Ryn, master of a breathtaking estate in the Hudson Valley, Dragonwyck, invites Mrs. Wells to send a daughter to be his daughter’s governess. Abigail Wells has a hard life and wants better for her daughter, so she and Miranda use all their ingenuity to persuade dour Ephraim to let his daughter go (and he nearly changes his mind when they reach New York City and he sees what he considers the useless excess of their hotel, Astor House; he rightly thinks an extravagant lifestyle will go to Miranda’s head).
From the moment Miranda lays eyes on her kinsman, Nicholas Van Ryn, she is captivated by his Tall Dark Stranger looks and charismatic demeanor. She is swept away up the Hudson to Dragonwyck, and awestruck when she first beholds it – a gothic and foreboding mansion that hides dark secrets. Nicholas’ wife is an unhappy woman interested only in sweets (not that there’s anything wrong with that, unless you devour the wrong cake), who immediately resents Miranda, and little Katrine is a stolid child, happier in the kitchen than in the classroom. Nicholas is both a kind benefactor, providing Miranda a beautiful new wardrobe, and a capricious host, ignoring the fact that his wife and guests consider her nothing but a servant. Miranda is so bedazzled by her cousin that she makes excuses for his dark moods, the harsh way he treats his tenant farmers, and his impatience with his family. Everything she observes is colored by the deep attraction she feels for Nicholas, but this is a dangerous yearning that could lead to disaster . . .
Audience: Fans of historical fiction, gothic enthusiasts; those interested in the history of New York State. Seton grew up in New York and Connecticut, and loved history. My Theodosia, which I recently reviewed, is about Aaron Burr’s daughter, known now to millions.
![]() |
Not Mr Darcy |
My Impressions: Anya Seton’s Katherine is one of my all-time favorite books, a magical story, widely considered an outstanding example of historical fiction, and I thank Sister Sessions, the shrewd librarian who led me to it in 7th or 8th grade. Surprisingly, I had never read this one, Seton’s second novel, which is very different, although both are about innocent young women, initially out of their depths, who develop into strong, determined women. Miranda is intimidated by the dark halls of Dragonwyck and her awkward situation, disliked by her hostess and completely in the power of her manipulative host, who can move her to euphoria or misery with a few words. From the minute they meet, the reader experiences the same roller coaster sense of imminent doom as the heroine, although she tries to ignore it.
Dragonwyck is a compelling read, although too over the top to be considered a great novel like Katherine. On the other hand, I read until 3 am, unable to predict where Seton was taking her narrative, and finished it as soon as I got home from work the next night. From the obese, sullen wife and the outspoken doctor to the Irish maid who becomes Miranda’s only friend, Seton creates memorable characters, but most of all lurking in the background is the immense and unnerving Dragonwyck, a character itself, designed by its obsessive owner. And I did not mention the plain spoken doctor from Hudson, the closest town to Dragonwyck, whose sturdiness and integrity is a sharp contrast to the dangerous charm of Nicholas Van Ryn. Even though we know Nicholas is a bad guy and Jeff Turner is good, Nicholas is far more fascinating! The reader feels his sensuous appeal along with Miranda.
Part of my fascination with this book is that my grandmother grew up near the imaginary Dragonwyck in Newburgh, New York (where one of the Van Rensselaers mentions a soiree) and I was fascinated by the painstaking historic detail. As always, Seton’s research was exhaustive, and her portrayal of 19th century New York, both the social scene in Manhattan and life on a remote, affluent estate in upstate New York, is vivid and convincing (and does not make me crave to be part of The 400 – although I would choose the most excruciating party over the chicken Miranda is expected to kill and pluck in the first chapter). And the depiction of steamboats racing on the Hudson is enough to give a gentle reader nightmares!
Movie: Friends tell me the movie of Dragonwyck, billed to audiences as in the tradition of Rebecca, starring Gene Tierney, Walter Huston, Vincent Price, and Jessica Tandy, is well worth seeing but my old author Leonard Maltin only gives it 2 ½ stars. I must ask movie maven Laura her opinion. She will doubtless appreciate the pageantry of the production.
Source: Library
Wednesday, January 28, 2015
City of Liars and Thieves (Book Review)
Title: City of Liars and Thieves: Love, death and Manhattan's first great murder mystery
Author: Eve Karlin
Publication Information: Alibi ebook, Random House, January 2015
Genre: Historical Fiction, settling 1799 New York
Plot: A crime that rocked a city. A case that sunned a nation. Based on the United States' first recorded murder trial, Eve Karlin's debut novel recreates early New York City, where a love affair ends in a brutal murder, told by the victim's cousin, and a conspiracy involving Alexander Hamilton and Aaron Burr erupts in shattering violence.
Saturday, March 22, 2014
Someone is Watching
My younger sister gets an email from the school library
every time her six year old checks out a book.
This would have infuriated me as a child because I liked reading books
adults often thought were too old for me.
I remember three specific incidents:
in third grade I was reading The Fellowship of the Ring, and although my
mother had read The Hobbit to my middle sister and me I suspected she might
think this book was too scary or over my head[1] so
I kept it tucked in my desk drawer with a red felt pen I used to write down an
occasional vocabulary word. On Teacher’s
Night, Mrs. Freilich[2]
exposed my secret to my parents! I think
my mother was amused and my father reclaimed his pen (which were apparently
banned at school, although no one had told me) but I certainly never trusted
her again.
The next year my parents were duly waiting their turn behind
a husband and wife they knew very slightly.
These people were complaining that someone in the class had given their daughter
an extremely unsuitable book. Somehow
my mother guessed it was me and waited apprehensively to see what it had
been. Then Miss Barnes said audibly,
“Maybe Suzanne wasn’t quite ready for The Secret Garden but it is a lovely book
she will enjoy some day.” See, I was
just helping her improve her mind! Miss
Barnes and I did not always see eye to eye but she read aloud often and
introduced me to some wonderful books:
On to Oregon, The Black Stallion, and The Phantom Tollbooth (this latter became such a favorite I chose it to giveaway in World Book Night last year.
Later, in seventh grade, at a new school where the library
contained little new fiction but was full of Mary Stewart, Victoria Holt, and
religious-themed books like Miracle at Carville, I discovered Anya Seton
and became entranced by her masterpiece, Katherine. I must not have been very good at
concealment because, thinking the book was very racy based on the cover, I hid it under my pillow
where my mother, innocently changing the sheets, found it. I came into my room to find her curled up
with John of Gaunt, and she happily told me she had read that book the year she
finished high school when it was serialized by the Ladies Home Journal. The only remonstrations I ever got from her
regarding my choice of books was her desire that I would not race through an
author too quickly, denying myself the pleasure of anticipating a delightful
read.
[1]
My mother would not have been totally wrong.
I had read Carolyn Haywood’s book, Primrose Day, the previous year,
which features an English girl named Merry (and inspired my interest in evacuation stories).
As a result, I thought Tolkien’s hobbit Merry was a female hobbit. There were plenty of male possessive pronouns
but I airily dismissed those as typos and wondered about a possible romance
between Merry and Pippin for some time.
I paused in my reading when Gandalf fell in the Mines of Moira and did
not return to the Lord of the Rings until I turned 11 or 12.
[2]
She already had a conflict of interest issue that had been unaddressed. She had previously taught the other first
grade section and one of her students, Laura Rabinowitz, who later attended
Brown, was a flower girl at her wedding.
Fourteen months later, Mrs. Freilich began to teach third grade and
Laura was in our class! Favoritism resulted.
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