As requested, I’ve gone back
to the beginning of
Outlander to recap the first episode.
For those who missed the
8-part series on Starz, it will probably be repeated in a marathon showing just before the second
half of season 1 begins in April and is also going to be
rerun on Christmas.
Outlander is based on Diana Gabaldon’s bestselling historical fiction series.
As I have told many people, as I left Bantam Doubleday Dell in May of
1991, I helped myself to two advance reading copies (arcs) from a pile on the
22nd floor that looked appealing.
One
was
The Firm by John Grisham and the other was Outlander.
I often think about how BDD (now Random
House) launched two incredible franchise authors that year.
Episode 1 begins with a
voiceover from Claire, the heroine of the series, describing how people
disappear every day. Most such
disappearance can be explained, but not all.
(If you need an explanation for time travel, this is the wrong
show/series for you.)
Our first, long-awaited
glimpse of Claire Randall: she is looking at an ordinary vase in a shop window,
contemplating the fact that she’s never had a sufficiently settled home to own
that sort of bric-a-brac. It is six
months after WWII and we see a flashback of Claire in action as a combat
nurse. It is clear she performs well and
decisively in crisis situations.
However, she is affected by the suffering she has seen and can’t simply
relax and celebrate VE Day, reminding me of Vera Brittain after WWI (fans of
Testament of Youth will be interested to hear there is a movie coming in 2015).
Claire and her husband, Frank
Randall, are on a second honeymoon in Scotland, trying to get to know each
other again after five years apart doing war work. While Claire was overseas, Frank worked in
Intelligence in London. He is a history professor, eager to discourse
about his interests at the drop of a hat, which would normally be quite
embarrassing in a husband but Claire smiles fondly at him every time. They check into a bed and breakfast in
Inverness where Claire bounces on the creaky bed in their bedroom as a joke, coaxing
Frank to join her. The innkeeper smiles
indulgently when the ceiling light fixture shakes back and forth.
Claire was raised by an
eccentric uncle who was an archeologist, so she grew up unconventionally at
digs. Her hobby is botany which keeps
her busy while Frank pursues his interest in genealogy. He is excited to visit a local point of
interest, Castle Leoch, although only a ruin remains, because he knows his
ancestor was in the area. Claire seduces
Frank in what’s left of the castle basement by revealing she is not wearing
undergarments: I guess Claire really must be intrepid because the likelihood of
vermin would have prevented me from entering the remains, and I would not have advised
lingering for sexy time with Frank. I suppose
the producer is trying to show that there is chemistry between Frank and
Claire, even if they don’t seem to have much in common.
Frank has a local
acquaintance, Reverend Wakefield, who shares his love of Scottish lore. Frank and Claire have been invited over to
talk Jacobite history, and when Frank starts going on and on about his
ancestor, Captain Jonathan Randall again, Claire (indulgent but bored) is
rescued by the housekeeper, who gives her tea in the kitchen and reads the tea
leaves. Claire jokes about the clichéd
tall dark stranger usually promised in such fortunes but Mrs. Graham seems
perplexed as she looks at Claire’s tea leaves and then at her hand. She tells Claire her hand has a pattern she
has never seen, that she is strong willed, passionate, and her marriage line is
divided (which means two marriages) and forked. Claire smiles but she is a bit weirded out.
Claire tells the men she is
going to go back to the B&B and mentions she heard the barman call her Sassenach. Reverend Wakefield says it means Englishman
or Outlander, and she should not be offended.
Frank lingers at the vicarage and when he returns to the B&B, he
sees a Scotsman in a kilt standing outside in the rain, watching Claire brush
her hair through her window. When he
asks if he can help, the man disappears.
Frank is puzzled, and wonders if he had too much whisky at the vicarage
(sounds like a book title). He is also
suspicious and shaken by the man’s seeming disappearance. “You look like you’ve seen a ghost,” says
Claire. He asks Claire if she nursed a
lot of Scots during the war. “Lots,”
Claire says happily, until she realizes Frank is trying to imply something
improper. Frank says he thought the man
must be a former patient come to reconnect with her, and that it wouldn’t be
surprising if she had strayed while they were apart. Claire is furious that Frank
thinks she was unfaithful (she obviously had chances but withstood temptation)
to him. Frank says it would make no
difference: “I love you, and nothing you could ever do could stop my loving
you. Forgive me.” They make up
passionately in bed but I am still offended on her behalf. Claire’s voiceover observes that sex is their
best way of communicating. As Frank
falls asleep, he tells Claire they are going to get up early to attend a pagan
festival. Good second honeymoon
activity, right?
The festival is too dark to
see but there are torches and pale faces moving about in strange patterns. The vicar’s housekeeper, Mrs. Graham, is one
of the participants. At dawn, we see the
standing stones, which Frank and Claire inspect with interest. When one of the dancers returns to the
stones, they retreat discreetly.
Claire decides to return the
next morning in search of a blue flower she had noticed growing at the base of
a standing stone, and leaves Frank asleep.
As she kneels by the stone, there is a strange roaring sound. When she moves closer to the stone, she is
snatched into complete darkness. And
here we go!
When Claire emerges from the
darkness, she is still by the stones (and still wearing a very impractical
white dress (a pity the Brits don’t celebrate Labor Day or perhaps she would
have known better)). As Claire points
out, when confronted with the impossible the rational mind gropes for the
logical. Like all time travelers (say I
knowledgeably), Claire wonders if she has wandered onto a movie set where a
costume drama is being filmed. She
stumbles about in a bewildered way until she hears a gunshot and sees soldiers.
CLUE! Shocked, she loses her footing and
rolls down the hill. Fleeing from the
live ammunition, she meanders through the woods where she comes upon an English
soldier by a stream. Stunned by the
man’s resemblance to Frank, she stammers his name, but realizes right away he
is not Frank. “Who the bloody hell are
you?” she demands. He introduces
himself as Jonathan Randall, Esquire, Captain of Dragoons, if you please. Randall is the English commander of Fort
William, with responsibility for keeping the local Scots in their place.
Of course, Claire instantly recognizes the
name as Frank’s ancestor, and instinctively tries to get away, saying her
husband will be looking for her.
Suspicious, Randall pursues and easily captures her, demanding to know
her husband’s name. Realizing he will
be even more suspicious if she says her name is Randall, she provides her maiden
name of Beauchamp, but Randall is not mollified. He suspects her of being a spy or a whore
(which is worse?) and decides to rape her because he is that kind of guy. This is the first of many sexual assaults on
Claire.
Luckily, in the nick of time,
she is rescued by a mysterious stranger and carried away on his horse. For all Claire knows, he could be equally as
vile as Captain Randall but, in fact, her savior is Murtagh, part of a group of
somewhat uncouth Highlanders who know and dislike Randall. The men cackle at her skimpy clothing but
their leader says they’ll deal with her later.
He is concerned about the condition of Jamie, one of his men. Although wondering how to escape and knowing
she should keep a low profile, Claire can’t help intervening when the men are
about to apply some rough cure to young Jamie.
Recognizing that his shoulder is separated, she insists on popping it
back into the joint herself. Our long-awaited
glimpse of Jamie is in the half-light of the fire but he looks appealing from
the first, even in acute pain. “Thank
‘ee,” he gasps. Despite the practical
nature of her assistance, there is opportunity for them to gaze into each
other’s eyes and special music begins playing not-so-subtly. Claire gives him sensible, nurse-like advice
about his recovery, which Jamie will not have the luxury of following because
they set forth on horseback at once.
First, however, Claire looks about and can’t see the lights of Inverness
in the distance. Jamie says she’s
looking straight at Inverness. That is
when Claire realizes she is no longer in the 20th century, although she doesn't immediately know it is 1743. The Highland chief threatens to kill her if
she makes a sound and boosts her up in front of Jamie, who gallantly wraps his
plaid around her, telling her they’ll be riding all night.
As dawn breaks, Claire
recognizes a rock (cliff) that Frank had told her the English used for ambushes
and tells Jamie. Taking her seriously,
Jamie passes along her warning to the chief. He is skeptical of her knowledge
but doesn’t want to take any chances in case the English are waiting. The men prepare for battle and Claire is
dumped unceremoniously off Jamie’s horse.
She tries to escape through the woods although she has no idea where she
is going but Jamie finds her after the fight.
He is covered with blood and looks very dangerous, although he says the
blood isn’t his. He drags Claire along
with him saying, “Dougal and the others are waiting.” When they rejoin the group, Dougal says he
doesn’t know how she knew about the ambush, but the men are glad to have won
the skirmish with the English and pass around a flask. Jamie politely offers Claire the flask,
saying it will help her forget she is hungry.
They continue to ride through the night until Jamie collapses, falling
off his horse. Claire calls for help and
tends to Jamie’s gunshot wound, asking the men for something to disinfect the
wound. “Disinfect? Germs? Iodine?” the
men echo blankly. In desperation, she
asks for alcohol and they sigh with relief – finally, something they understand
although they doubtless feel it’s a waste to pour it on Jamie’s wound. Claire has picked up some expressive curses
while nursing and the Scots are shocked by her outspokenness. She tells Dougal that Jamie needs to rest
but he says they must be off soon. “Thank you, Sassenach,” Jamie says, using
the epithet for the first time. Jamie explains that Captain Randall will be
after them and Claire is surprised Jamie knows the English officer. She gets back on the horse and as the sun
comes up she sees Castle Leoch in its magnificence, not the ruin she saw in the
20th century with Frank.
The episode ends with another
voiceover from Claire, “So far I’ve been assaulted, threatened, kidnapped, and
nearly raped. And somehow I knew my
journey had just begun.”
What’s Important About This Episode:
- Catriona Balfe, the actress who won the part of Claire Randall, didn’t initially seem like my vision of Claire – she seemed too thin and not sufficiently sarcastic, but
she grew on me as the season went on and now I am completely convinced she
was the right choice.
- The series is scored by a
musician named Bear McCreary. I had
never heard of him but he apparently worked on Battlestar Galactica with
producer Ron Moore. The music was
delightful and, for the most part, unobtrusive. It is jazzy and mid-20th-sounding
century when Claire is in the present or when there are flashbacks, but
haunting and Celtic in the 18th century.
- A lot happened in the
first episode so there wasn’t much time to sit back and enjoy the scenery
but it was amazing. I watched
Episode 1 again with my mother and yearned to visit Scotland (and Scotland's tourism board is eager to welcome us all).
- I have reread the book
many times since the first time more than 20 years ago and the adaptation
is very faithful. It is very
exciting to see/hear it all come to life, and must be beyond amazing for
Diana Gabaldon.
- I wondered if those watching who hadn’t
read the books expected Claire’s rescuer from Randall’s assault to be the
hero instead of dour Murtagh. It
seemed as if we waited a long time into the episode for Jamie to appear
but they packed a lot into one hour!
I can’t imagine anyone could have been dissatisfied with the first
episode (except my brother who was startled by the explicit sex and said,
“You let Mother read these books?”).
Images copyright to Starz
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