Title: The Story of Ruby Bridges
Author: Robert Coles
Publication: Scholastic Hardcover, 1995
Genre: Picture Book/Nonfiction
Summary: This is a children’s version of the real story about Ruby Bridges, a six-year-old African American who integrated the all-white William Frantz Elementary School in New Orleans in 1960. Each day she had to walk by angry, vicious protesters as she was escorted by federal marshals to her classroom. The white parents kept their children home so Ruby was taught alone by our friend Barbara Henry.
Sunday, March 26, 2017
Sunday, March 19, 2017
The Widow's House (Book Review)
Title: The Widow’s House
Author: Carol Goodman
Publication: Trade Paperback, William Morrow, 2017
Genre: Suspense
Purchase Links: Amazon, Harper Collins, Barnes & Noble, Indiebound
Plot: When Jess and Clare Martin sell most of their belongings and leave Brooklyn to move to the Hudson Valley, they both hope it will jump start Jess’ writing career, which has faltered after one high profile novel. The area they choose is familiar to them because it is Clare’s home town and is near Bailey College which they both attended.
Author: Carol Goodman
Publication: Trade Paperback, William Morrow, 2017
Genre: Suspense
Purchase Links: Amazon, Harper Collins, Barnes & Noble, Indiebound
Plot: When Jess and Clare Martin sell most of their belongings and leave Brooklyn to move to the Hudson Valley, they both hope it will jump start Jess’ writing career, which has faltered after one high profile novel. The area they choose is familiar to them because it is Clare’s home town and is near Bailey College which they both attended.
Thursday, March 9, 2017
Hollywood Star (Book Review)
Title: Hollywood Star (Gloria Whitcomb, #3)
Author: Gladys Malvern
Publication: Julian Messner, Hardcover, 1953
Genre: Young Adult
Plot: Gloria Whitcomb, a talented but unknown ballerina from New York, has been cast to play Anna Pavlova in a movie, and heads to Los Angeles for the filming, chaperoned by her mother and young brother. It is hard for Gloria to leave her handsome fiancĂ© behind in Manhattan, and she doesn’t realize the studio will want to promote her as glamorous and single. The stresses of acting for the first time before people who doubt her and being thrown into the company of handsome actors (with dubious motives) strain her performance and her relationship with Doug. Can Gloria triumph over Hollywood’s petty jealousies and stay true to the man she has loved for so long?
Audience: Young adult readers, fans of ballet fiction and of career novels
My Impressions: As a pre-teen I loved all of Gladys Malvern’s books, at least those found in the Newton and Brighton libraries. Most of her books were historical fiction, ranging from surprisingly compelling biblical fiction (Behold Your Queen, The Foreigner) to books set in colonial America. The Boys and Girls Library in Newton Corner had copies of the first two books in this series, Gloria Ballet Dancer and Prima Ballerina, and I read them many times, without knowing this third book existed until I was grown up. It is the weakest of the three but Gladys was clearly trying to convey as much as she could about the movie business for eager teens. She does a good job conveying the spite and backbiting that go on when an outsider is cast for a big part (luckily, Gloria has retained her girl next door personality and usually wins people over sooner or later), and she depicts two gossip columnists who must be based on Hedda Hopper and Louella Parsons, rivals who together had an audience of 75 million in their heyday.
On the movie set, Gloria is upstaged and belittled by her co-star, an actor who thinks he can take advantage of her lack of experience. She is assisted in standing up for herself by his rival, Jules Fletcher, not because he cares about Gloria but because Jules doesn’t want a rival male actor to gain in popularity. It is a sign of Gloria’s cluelessness that she never figures this out, and disappointing that her mother is too intimidated by Hollywood and Gloria’s success to provide the sensible mothering needed.
Those of us who suffered with Gloria during years of wondering if Doug Gardiner cared for her will not enjoy seeing her squabble with him or flirt with another man. It’s a little like when you think Betsy Ray and Joe Willard have finally worked out their differences and then you learn that in a book which doesn’t even exist, Betsy was flirting with Bob Baryhdt at the U*!
Source: I obtained a copy of this book via Interlibrary Loan. Thank you to Rowan University in New Jersey for preserving and sharing it. This is one of what were called a Career Romance for Young Moderns. My library had only a handful because they were already dated in the 70s but I read them and so did @sadiestein.
* Maud Hart Lovelace always referred to the University of Minnesota as the U, so I did too. When I was about ten, some friend of my parents asked where I wanted to go to college, and when I said, importantly, “The U,” she asked, puzzled, “Which U?”
Author: Gladys Malvern
Publication: Julian Messner, Hardcover, 1953
Genre: Young Adult
this blurry cover was all I could find |
Audience: Young adult readers, fans of ballet fiction and of career novels
My Impressions: As a pre-teen I loved all of Gladys Malvern’s books, at least those found in the Newton and Brighton libraries. Most of her books were historical fiction, ranging from surprisingly compelling biblical fiction (Behold Your Queen, The Foreigner) to books set in colonial America. The Boys and Girls Library in Newton Corner had copies of the first two books in this series, Gloria Ballet Dancer and Prima Ballerina, and I read them many times, without knowing this third book existed until I was grown up. It is the weakest of the three but Gladys was clearly trying to convey as much as she could about the movie business for eager teens. She does a good job conveying the spite and backbiting that go on when an outsider is cast for a big part (luckily, Gloria has retained her girl next door personality and usually wins people over sooner or later), and she depicts two gossip columnists who must be based on Hedda Hopper and Louella Parsons, rivals who together had an audience of 75 million in their heyday.
On the movie set, Gloria is upstaged and belittled by her co-star, an actor who thinks he can take advantage of her lack of experience. She is assisted in standing up for herself by his rival, Jules Fletcher, not because he cares about Gloria but because Jules doesn’t want a rival male actor to gain in popularity. It is a sign of Gloria’s cluelessness that she never figures this out, and disappointing that her mother is too intimidated by Hollywood and Gloria’s success to provide the sensible mothering needed.
Those of us who suffered with Gloria during years of wondering if Doug Gardiner cared for her will not enjoy seeing her squabble with him or flirt with another man. It’s a little like when you think Betsy Ray and Joe Willard have finally worked out their differences and then you learn that in a book which doesn’t even exist, Betsy was flirting with Bob Baryhdt at the U*!
Anna Pavlova |
* Maud Hart Lovelace always referred to the University of Minnesota as the U, so I did too. When I was about ten, some friend of my parents asked where I wanted to go to college, and when I said, importantly, “The U,” she asked, puzzled, “Which U?”
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